Showing posts with label black sabbath. Show all posts
Showing posts with label black sabbath. Show all posts

Thursday, April 18, 2013

Black Sabbath - "God Is Dead?" Track Review, or Why Old Dudes Shouldn't Be Allowed to Leave Their Practice Space


Let's just jump right into it. I'm angry. I'm pissed. I had a lot ridding on this album emotionally and if “God is Dead?” is any indicator I'm in for one hell of a disappointment.

First off, what is up with that stupid question mark? Have you ever seen a question mark in a song title before? Is a question mark metal now or something? In fact, the whole premise of this song is quite arbitrary; Is there a God, isn't there a God, etc. These are questions we all ask, and they matter, but I don't like indecisiveness in my metal. I like it hard and pure. Fucking A. Slayer's been dealing with these themes since the 80s and I'm supposed to feel sorry for these old dudes who can't figure their shit out? No thanks. (For the record I don't like Slayer, they just felt like a great example in this moment.)

Second, where the fuck are all those great god damn riffs I've been hearing so much about? The first five minutes of this song are nothing but a cheap knock off of “Black Sabbath” the song with alternating loud-soft verses and choruses and some cheesy power chord-chord progressions thrown in so Ozzy can do his solo-era vocal melodyzing over the top. I mean gimme' a break, I heard this on their last album with Dio and the last two Ozzy solo records, is it somehow better now that they are together? Not really.

Next: The production, oh God the production. Just because Rick Rubin has a Gandalf like beard and scraggly “I haven't showered in a year” hair-do doesn't mean he knows shit about mixing Doom Metal. And let's face it, at nine minutes long and with an average BPM of probably like 80-95, that's exactly what this is. The Doom genre that was formed out of admiration of this great band is now more relevant than the band itself. Good God, they should have called this “The World is Dead.”

The one saving grace here is Ozzy's voice. Yes, I said it, I love the sound of Ozzy's drawling, ominous monotone. He's as musical as ever here in spite of his limitations and in fact is sounding better than ever in his old age what with the lower register and all. Additionally, Geezer's bass in parts is pretty cool. The man knows how to cut a bassline.

Now onto Bill Ward. For the record, I wasn't one who was moaning and groaning when the band and Bill announced they'd be parting ways for this record. I mean Tony and Geezer both put out a decent album in “The Devil You Know” without Bill on drums. But this new dude, Brad something-or-another, sounds so afraid to show any emotion in his playing that it literally sucks the life out of every measure. His playing is so stiff I could've programmed a better drum track. In fact, I might just to show how awful he is. But what do you expect? I mean the guy is probably like half Ozzy, Tony and Geezer's age and he's supposed to somehow relate to what they are doing? Furthermore, he was the drummer for Rage Against The Machine, I wouldn't be surprised if had a Raging (haha, get it?) hard-on every time he stepped into the studio with these dudes, I know I would’ve. He was probably afraid to take risks for fear of angering the "Godfathers of Heavy Metal." But Bill is the same as them in more than just age. He's been through the same trials and tribulations. He doesn't fear or revere the name Black Sabbath in the same way most metal musicians do, he was a part of it before it was anything. With time and wisdom and his indescribable style behind the kit, Bill could've done so much with this. Alas.

Last, those of you who followed Sabbath during their original reunion in the late-90s and early-2000s might remember a little song called "Scary Dreams" that was only played live a handful of times and was never released as a studio recording. Well, “God Is Dead” (I'm purposefully leaving out the question mark this time) is essentially that song. The length is about the same, the key is probably the same, the tempo is the same and the arrangement is absolutely the same. I can't tell you how tired I am of hearing “verse-chorus-verse-chorus-transition-bridge(double time, of course)-guitar solo-outro chorus refrain.” It may have worked on “Snowblind” and “Into The Void” and a handful of other songs, but it doesn't work here in the 21st century where we've heard it a thousand times since. Little known fact; supposedly the band narrowed down from 16 songs to only seven for this album. Yes, “God is Dead?” is one of those songs. Needless to say, I shant be buying the deluxe edition with “an extra disc of unreleased material.”

Well that's about it. I'm not a journalist. I'm just a dude who is very passionate about music and art. Maybe it doesn't get across due to my lack of “reporting” and proper journalistic technique. But I really don't give a fuck anymore. The world has jilted me when I deserved to be heard so here's to a big middle finger at the world. We can do better. We can all do better than this. Sure, maybe God IS dead, but it's starting to sound like good music died with him/her/it (probably a robot AI or genderless alien race, after all).

Tuesday, July 6, 2010

1st Entry: Top Five Guitarists

First entry, YAY! Going to be posting random stuffs on here. Writings, CD reviews, concert reviews, poetry, ideas, updates on my music, top 10 lists. Pretty much anything I feel like.

This time its "My Top Five Guitarists of All Time"
  1. Jimi Hendrix - yes its cliche, but when that man played guitar, something magical happened. Time stood till and rainbows erupted from the asses of dragons. He's amazing. He's a god. He played notes most could only dream of, but as my dad said, It was the notes he DIDN'T play that set him apart. His subtlety and emotion through the instrument are what set him apart from anyone then or since. What's there to say? Just listen to Machine Gun RIGHT NOW and all your questions and doubts will be answered.
  2. Tony Iommi - the riff master. The lord of all that is heavy and creator of THE Heavy Metal style and sound. WAY before Korn and Meshuggah, he detuned all the way to C#. Even further than many bands today. He pioneered the tritone, a staple in metal, the chug, and his solos were damn amazing. Although not as flashy and grandiose as other contemporary 70's shredders, his originality and contribution to the metal genre solidify him as one of the best. After all, great guitar playing isn't all leads and acoustic melody. Its about rhythm. Rock hard, melt your face, blow your mind rhythm.
  3. Jimmy Page - I will concede, although I am not a huge fan of his or Led Zeppelin's work, the man did amazing things with an acoustic guitar. His infusion of bluegrass, Americana, blues, and Jazz into rock 'n' roll is totally incredible, even though its not so original. Whether I like it or not, his influence has been cited by thousands of artists from many different genres, and this is a true testament to his versatility as an artist.
  4. Matt Pike (High On Fire) - I am a bonafied High On Fire freak. I worship this band and idolize Matt Pike for his creativity and originality. For God's sake, the man's life is a freaking ode to Black Sabbath. As if pioneering THE Stoner metal sound with Sleep in the 90's wasn't enough, he went on to form one of the most crushing three-pieces ever. His evolution as an artist is fascinating. He's gone from playing low and slow, fuzzed out doom riffs in Sleep, to peeling faces with high energy Motorhead meets Sabbath riffage in High On Fire.  He has created a unique style of riffing that involves trilled power chords, wide vibrato, and accidental notes all tied together by ferocious double picking in C standard. Yeah, this dude tunes a half step lower than Iommi. He is the most bad ass of modern guitar players. His guitar has nine strings and he doesn't give a damn if he's different or weird. He's fucking Matt Pike and he'll eat your baby for breakfast.
  5. Brent Hinds / Bill Kelliher (Mastodon) - I include these as a pair because their style so perfectly compliments each other and their sound would not be complete on their own. Brent had his beginnings as a bluegrass playin' banjo picker. This loose, droning sound has leaked over into his electric guitar playing and creates a truly unique and original sound. Their use of southern and blues inspired lead lines with terrifying rhythm surges creates a sound that is as much reminiscent of Metallica as it is Marshall Tucker. In contrast to Matt Pike, these guys throw back more to the progressive, artsy stylings of 70's rockers Jimmy Page and Rush. The speed with which they play is incredible, especially live, and their unison whilst playing incredibly complex articulated chord / scales is of the utmost impressiveness. No other guitar players or guitar player, besides the ones previously mentioned, have impressed me as much as these guys do. Rock on Mastodon!